Sunday, January 22, 1984. 96 Million people are watching the Superbowl Final Los Angeles Raiders vs. Washington Redskins in Tampa, when early in the third quarter, a 60 second commercial changes the world.

Apple’s mindblowing allusion to Orwell’s “1984” was directed by Ridley Scott with a production budget of $900.000. It only aired one single time, but the film is indelibly imprinted in the minds of Mac users across the globe and is considered one of the most influential commercials of all time.

More than 20 years after that sledgehammer hit the screen, ARNOLD WORLDWIDE in Boston brings it back with an interesting and scary experiment: The creatives put the commercial back into an early pre-production state called “animatic”, an animated storyboard with a narrative text. And then they tested it. In a focus group, under real life circumstances. Real people recruited to evaluate the ad.

What you are about to see is what happens to strong advertising ideas every day. Ideas that are highly emotional and deeply touching. Ideas that are never going to unfold their power because they will never end up on screen.

This is why most ads suck.

This film was used as an opening video for the 2007 Hatch Awards.
Directors: Roger Baldacci & Lawson Clarke

The worst day in an ad agency beats the best day a bank ever had.

(Crispin Porter + Bogusky Employee Handbook)

With $100,000, you could build a very nice house and live in it forever. Or, with that same amount of money, you could shoot a TV spot that’s 30 seconds long and will run for a few months and then go away forever.

(Crispin Porter + Bogusky Employee Handbook)

More than 24 hours per day not possible.


(Error-message, displayed by the agency’s digital time recording system.) 

Yes, advertising people are liars. I know. But Robert over at BASIC THINKING discloses one of the counless reasons why a slight exentuation can sometimes be quite advisable. At least when it comes to instant microwave dinners …


The PUNDO 3000 project compares advertising food photography to the unsavory reality.



Amsterdam-based commercial photographer Erwin Olaf is mainly known for his surreal sceneries sparkling with opulent abundance. 


His visioanary photographic concepts for clients like Levi’s, Diesel or Nokia have won countless awards all across the planet.


His series “Grief” reveals a different side of his character:

The powerful portraits bear an arcane silence and the beautifully art-directed settings reanimate a past era.






Erwin Olaf’s portfolio is a must-see!

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